Music videosjust a song and a budget? I find the location, shoot, edit, grade and design the cover

Send the song and images or music videos you like, even without a concept yet. I help find a direction and location for the mood, then handle the shoot, edit, grade and cover design within the agreed scope. Sharing the budget early helps us choose what is realistic.

A frame from a music video at a waterfall
Cinematic look, graded

Quality work on a budget you understand · crew of 1–3, budget under control · Thailand-wide and abroad · travel is included in the quote, nothing added later

Music video — location, shoot, edit, grade and cover art

A music video in the countryside — I found the locations myself, then shot, edited, graded and designed the cover.

Morefor your kind of brief

How I handle this kind of jobmore than pointing a camera

Once the song is ready, we can shape the visual direction together even without a location or concept yet. I help build images around the mood, then handle the shoot, edit, grade and cover within the agreed scope.

The order things happen

  1. Send the song and the lyrics

    A file or a demo will do; I listen for rhythm and mood before thinking about pictures.

  2. Give me the mood — one or two reference videos, or a few words

    Warm, raw, dreamy, sad — even one word helps. Then I propose a concept and locations to choose from.

  3. State the budget plainly and I design to fit it

    Cast, locations, shooting days and a crew of 1–3 all scale with the budget. Stating it does not raise the price — it just means I only propose what is achievable.

  4. Shoot, edit, grade for a filmic look, then design the cover

    Graded to the agreed atmosphere, with the cover designed from the same shoot — as on the rice-field MV I took from scouting to cover art.

Stillsshot on the same trip

Your next project?This space is waiting for your story

I haven’t put many projects like this on the website yet, so the images below are sketches I’ve drawn, not past projects — examples of how your project could begin on a page like this. Tell me what you have in mind, and I’ll sketch a shooting plan for you first.

Start with these 3 thingsI will help shape the approach and a first budget

You do not need every answer yet. Send what you know and we will fill in the rest together.

  1. The song (a file or a demo) and roughly what the lyrics say

  2. The mood you want — send one or two reference videos, or describe it in words (warm, raw, dreamy, sad)

  3. Do you have cast or locations in mind, or should I propose them — and the rough budget (say it plainly; I design to fit)

Send me a short brief

Common questionsfor this kind of job

All we have is the song and a budget. Can we start?

Yes — that is the usual starting point. Send the song, the mood and the budget; I propose two or three concepts with locations.

We are an indie artist or small label with a modest budget. Do you take that?

Yes. A crew of 1–3 genuinely scales to the budget. All I ask is the real number, so I design what can be made rather than what gets cut later.

How many revision rounds, and how do I get the files?

You review on an unlisted YouTube link with 3–5 rounds of changes as agreed, then the master files arrive by Google Drive. Music and sound are selected with rights that match the agreed channels.

How it worksfrom brief to delivered files

What sets the price, and common questions
  1. Agree the brief

    We talk about the audience, where the film will run, dates, locations and a rough budget, then set the scope together.

  2. Get ready

    A shooting schedule that's clear where it needs to be, and flexible where the day calls for it — because no two jobs are the same.

  3. Finish it properly

    Edit, grade and mix; review rounds as agreed (3–5), then master files on Google Drive.

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