Vertical content in bulkshot vertical and horizontal together to save budget

I plan one shoot to produce a run of content you can use over time. Together we set the format, number of clips and aspect ratios for your channels, then organise the shoot to use the time and budget well.

Vertical and horizontal, shot together

Quality work on a budget you understand · crew of 1–3, budget under control · Thailand-wide and abroad · travel is included in the quote, nothing added later

COCA at Thaifex — vertical event clip

A vertical event clip for COCA at Thaifex — COCA has an in-house production team, yet books me regularly for shoots.

Morefor your kind of brief

How I handle this kind of jobmore than pointing a camera

A content series begins with the format, number of clips and aspect ratios for each channel. I group what can be filmed together into one plan, giving you a steady run of clips with a consistent format.

The order things happen

  1. Count clips per month, length and channels

    TikTok, Reels, YouTube Shorts or all of them — the count and length decide what one shooting day must capture.

  2. Set the content format and who appears

    Product, talking to camera, behind-the-scenes lifestyle or reviews. No presenter yet? I design a format that does not depend on one.

  3. Vertical and horizontal captured together in one day

    One shoot delivers both the short social clips and the longer web piece, saving shooting days and budget.

  4. Edit on one template, deliver on an agreed cycle

    A repeatable format edits fast, keeps every clip consistent, and lets me commit to a delivery date after each shoot.

Start with these 3 thingsI will help shape the approach and a first budget

You do not need every answer yet. Send what you know and we will fill in the rest together.

  1. How many clips per month (or per batch), roughly how long, and for TikTok / Reels / YouTube Shorts / all of them?

  2. What kind of content — product / someone speaking to camera / behind the scenes and lifestyle / reviews — and do you already have someone on camera?

  3. One location or several, and how many days after the shoot do you need the files?

Send me a short brief

Common questionsfor this kind of job

How can the per-clip price come down?

Because the main cost is the shooting day. When one day yields 3–6 clips on a repeatable edit, the cost per clip drops without the quality dropping.

We worry the clips will look inconsistent

That is what the template solves: the same fonts, colours, cutting rhythm and opening/closing frames on every clip — agreed once on the first clip and reused across the set.

How many revision rounds, and how do I get the files?

You review on an unlisted YouTube link with 3–5 rounds of changes as agreed, then the master files arrive by Google Drive. Music and sound are selected with rights that match the agreed channels.

How it worksfrom brief to delivered files

What sets the price, and common questions
  1. Agree the brief

    We talk about the audience, where the film will run, dates, locations and a rough budget, then set the scope together.

  2. Get ready

    A shooting schedule that's clear where it needs to be, and flexible where the day calls for it — because no two jobs are the same.

  3. Finish it properly

    Edit, grade and mix; review rounds as agreed (3–5), then master files on Google Drive.

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