Product and food adsno actors, no idea yet — still a place to start

I make the product's strongest point clear in a video ready for your channels. I shape an approach for the budget, plan locations and talent, and handle the shoot, edit and vertical advertising cut. You can start the conversation without an idea yet.

Dim sum laid out, shot from above
Stills can be shot the same day

Quality work on a budget you understand · crew of 1–3, budget under control · Thailand-wide and abroad · travel is included in the quote, nothing added later

Cement and tools commercial — cast sourced, 8 scripts pitched

A commercial for cement and tools — I sourced the cast, planned the idea and pitched eight scripts for the client to choose from.

Morefor your kind of brief

How I handle this kind of jobmore than pointing a camera

We begin with the product's strongest point, the channels where the film will run and the available budget. Even without actors, a location or an idea yet, I help shape a practical approach and carry it through to ready-to-use versions.

The order things happen

  1. Name the product and the one thing people should remember

    A good ad is remembered for one thing. If there are several, I help choose; when several people decide, everyone gets the same one-page routes to react to.

  2. Pick the channel and the number of versions

    Facebook/TikTok ads want 15–30-second verticals, the web or shopfront wants horizontal, TV has its own spec — knowing this up front means one shoot covers them all.

  3. Two or three routes by budget

    For example product-only, product in use, or a short story — each differs in cast, location and shooting days. Once chosen, I source everything; I have offered a client eight scripts and cast the roles.

  4. Shoot once, come away with several clips

    Food and product shoots yield three or more vertical clips in a day, graded so the product looks appetising and true to colour, delivered ready to run as ads.

Stillsshot on the same trip

Start with these 3 thingsI will help shape the approach and a first budget

You do not need every answer yet. Send what you know and we will fill in the rest together.

  1. What is the product, and the one thing people should remember about it?

  2. Where will it run — Facebook/TikTok ads (vertical, 15–30 s) / web and in-store / TV — and how many versions?

  3. Do you have cast, a location or the actual product ready, or should I arrange them?

Send me a short brief

Common questionsfor this kind of job

No actors, no location, no idea. Can we still start?

Yes — that is the normal starting point. Tell me the product and a rough budget; I propose two or three routes and source cast and location.

We want several ad clips. Does that mean several shooting days?

Usually not. Planned well, one day yields three or more clips in both orientations. What adds days is multiple locations or casts.

How many revision rounds, and how do I get the files?

You review on an unlisted YouTube link with 3–5 rounds of changes as agreed, then the master files arrive by Google Drive. Music and sound are selected with rights that match the agreed channels.

How it worksfrom brief to delivered files

What sets the price, and common questions
  1. Agree the brief

    We talk about the audience, where the film will run, dates, locations and a rough budget, then set the scope together.

  2. Get ready

    A shooting schedule that's clear where it needs to be, and flexible where the day calls for it — because no two jobs are the same.

  3. Finish it properly

    Edit, grade and mix; review rounds as agreed (3–5), then master files on Google Drive.

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