Product and food adsno actors, no idea yet — still a place to start

Not an agency budget, but it should look expensive. No cast, no location, no idea yet; it has to run as an ad, and several people have a say. The biggest saving is an idea that genuinely shoots in one day. I help from the concept (I once pitched eight scripts for a client to choose from), through locations and casting, to the shoot, edit, grade and the vertical cut for ads — and I send 2–3 directions at different budgets before you decide.

Quality work on a budget you understand · crew of 1–3, budget under control · Thailand-wide and abroad · travel is included in the quote, nothing added later

Dim sum laid out, shot from above
Stills can be shot the same day

Main piece

Cement and tools commercial — cast sourced, 8 scripts pitched

A commercial for cement and tools — I sourced the cast, planned the idea and pitched eight scripts for the client to choose from.

Morefor your kind of brief

How I handle this kind of jobmore than pointing a camera

Not an agency budget but it has to look good; no actors, no location, no idea yet — that is where most commercials I make begin. I send back two or three routes at different budgets before you commit.

The order things happen

  1. Name the product and the one thing people should remember

    A good ad is remembered for one thing. If there are several, I help choose; when several people decide, everyone gets the same one-page routes to react to.

  2. Pick the channel and the number of versions

    Facebook/TikTok ads want 15–30-second verticals, the web or shopfront wants horizontal, TV has its own spec — knowing this up front means one shoot covers them all.

  3. Two or three routes by budget

    For example product-only, product in use, or a short story — each differs in cast, location and shooting days. Once chosen, I source everything; I have offered a client eight scripts and cast the roles.

  4. Shoot once, come away with several clips

    Food and product shoots yield three or more vertical clips in a day, graded so the product looks appetising and true to colour, delivered ready to run as ads.

Stillsshot on the same trip

Send me 3 thingsand I can give you a first estimate

Reply on LINE, or call — a few minutes is enough for a price range. No obligation.

  1. What is the product, and the one thing people should remember about it?

  2. Where will it run — Facebook/TikTok ads (vertical, 15–30 s) / web and in-store / TV — and how many versions?

  3. Do you have cast, a location or the actual product ready, or should I arrange them?

or leave a message through the form

Common questionsfor this kind of job

No actors, no location, no idea. Can we still start?

Yes — that is the normal starting point. Tell me the product and a rough budget; I propose two or three routes and source cast and location.

We want several ad clips. Does that mean several shooting days?

Usually not. Planned well, one day yields three or more clips in both orientations. What adds days is multiple locations or casts.

How many revision rounds, and how do I get the files?

You review on an unlisted YouTube link with 3–5 rounds of changes as agreed, then the master files arrive by Google Drive. Music and sound effects are properly licensed for every channel.

How it worksthe same on every job

What sets the price, and common questions
  1. Agree the brief

    We talk about the audience, where the film will run, dates, locations and a rough budget, then set the scope together.

  2. Get ready

    A shooting schedule that's clear where it needs to be, and flexible where the day calls for it — because no two jobs are the same.

  3. Finish it properly

    Edit, grade and mix; review rounds as agreed (3–5), then master files on Google Drive.

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