Dream Image Club Videographer

WorkEvents · seminars · concerts · launches

Event videosone take only — you get the highlight and the full cut

I capture the important moments and prepare each piece for when you need it. From the schedule, I plan the cameras and crew for the space, then agree whether you need a highlight, full record, stills or vertical clips and when each one is due.

Chat on LINEor call +66 98 248 5513
A concert in blue light — stage work
Dark stages are fine

Quality work on a budget you understand · crew of 1–3, budget under control · Thailand-wide and abroad · travel is included in the quote, nothing added later

WatchCOCA at Thaifex — vertical event clip

COCA at Thaifex — vertical event clip

COCA's stand at Thaifex — COCA has an in-house production team, yet books me regularly for shoots.

Morefor your kind of brief

How I handle this kind of jobmore than pointing a camera

An event starts with the key moments, the deliverables and the deadline for each piece. From that information I plan the cameras, crew and shooting positions for the space before the event.

The order things happen

  1. Send the schedule and the must-not-miss moments

    Start and end times, the opening, the awards, the show — these set camera positions and headcount.

  2. Choose the deliverables

    A 1–2 minute highlight, the full recording, vertical clips for stories, and stills — say it all up front so one pass covers everything.

  3. Take sound from the mixer, bring light for dark stages

    Stage audio comes straight from the venue mixer for clarity, with extra lights if the stage or room is too dark.

  4. Deliver on the agreed clock

    That night, next morning or within the week — I have shot in the morning and delivered that evening (not recommended, but doable), and covered multi-day events like Chef Trip.

Stillsshot on the same trip

Your next project?This space is waiting for your story

I haven’t put many projects like this on the website yet, so the images below are sketches I’ve drawn, not past projects — examples of how your project could begin on a page like this. Tell me what you have in mind, and I’ll sketch a shooting plan for you first.

Sketch storyboard, not a past project: a speaker at a podium before a blank screen, an audience seen from behind, and a seminar room plan with two camera positions
Sketch · not a past projectSend me a short brief →

Start with these 3 thingsI will help shape the approach and a first budget

You do not need every answer yet. Send what you know and we will fill in the rest together.

  1. Date, venue and a rough schedule (start and end times, the moments that must not be missed — opening, awards, the show)

  2. What you need — a 1–2 minute highlight / the full version / vertical clips for stories / stills too?

  3. When do you need the first clip (that night / next day / within the week)?

Chat on LINEor call +66 98 248 5513

Send me a short brief

Common questionsfor this kind of job

How many cameras do we need?

It depends on the key moments and the size. A single-room seminar is usually two cameras; a stage with a show and audience three or more. Send the schedule and I give you the number straight away.

We want a highlight on the page the same night

Yes, if agreed beforehand: an editor on site and the must-include moments decided in advance. I will be straight about what quality is achievable in that window.

How much does it cost to film a seminar or event?

It depends on the hours and days of the event, the cameras and crew, the deliverables and the turnaround. Send the schedule and I will size it to your budget. Travel is included in the quote.

What should we prepare before a single-room seminar?

Send the schedule, the speakers, when you want interviews, and whether the organiser has a sound mixer. I take audio straight from the mixer and check the lighting and camera positions in the room before the day.

How many revision rounds, and how do I get the files?

You review on an unlisted YouTube link with 3–5 rounds of changes as agreed, then the master files arrive by Google Drive. Music and sound are selected with rights that match the agreed channels.

How it worksfrom brief to delivered files

What sets the price, and common questions

  1. Agree the brief

    We talk about the audience, where the film will run, dates, locations and a rough budget, then set the scope together.

  2. Get ready

    A shooting schedule that's clear where it needs to be, and flexible where the day calls for it — because no two jobs are the same.

  3. Finish it properly

    Edit, grade and mix; review rounds as agreed (3–5), then master files on Google Drive.

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Open on YouTube