Dream Image Club
Videographer
WorkFoundations · fundraising · nonprofits
Foundation videosfundraising, impact reports and donor thanks
People give when they see who their help reaches and what it really changes, so a foundation’s video has to tell the story of the people it helps with dignity, never pleading for pity.
I go into the field with your team, talk with people respectfully, film the real work, and show donors the intention and the results — for fundraising launches, annual impact reports and thanking supporters.
Quality work on a budget you understand · crew of 1–3, budget under control · Thailand-wide and abroad · travel is included in the quote, nothing added later
CSR film for the Provincial Electricity Authority
A CSR film for the Provincial Electricity Authority — work for a foundation as such is not on the site yet; this is the closest: the client gave only the broad picture, and I wove it into a story that makes viewers feel for the real people on the ground.
Morefor your kind of brief
A CSR film for Charmer clinic — told through natural interviews
Watch this if it is an organisation’s community project — Charmer clinic CSR
Flower-pounded fabric — community documentary, English subtitles, shown in France
Watch this if it has to make sense to supporters abroad — a community documentary with English subtitles, shown in France
Model villages, Project 9-1 — Community Development Department
Watch this if the work covers several areas — community interviews in several provinces for the Community Development Department
How I handle this kind of jobmore than pointing a camera
A foundation’s video differs from government work in that viewers have to decide to act themselves — to give, to volunteer or to share. So I build the story around the problem, the people solving it and the results, and end with what viewers can do.
The order things happen
Agree the goal and the action you want
Donations, volunteers or awareness — that answer sets the length, the tone and the ending of the film.
Go into the field with your team
I go with the foundation’s team, talk with people respectfully, ask consent before filming every time, and avoid any image that takes away someone’s dignity.
Show the real results
I film both the help being given and what happens afterwards, so donors can see what their support changes.
Versions for fundraising
A full film for fundraising events or the annual report, short and vertical cuts for social, and English subtitles for supporters abroad.
Stillsshot on the same trip
Start with these 3 thingsI will help shape the approach and a first budget
You do not need every answer yet. Send what you know and we will fill in the rest together.
What does the foundation work on, and what is this video for — a fundraising launch / an impact report / thanking donors / introducing the organisation?
Which areas do we need to visit, and are there people willing to be interviewed?
Where will it be published, and is there an event or fundraising date it must be ready for?
Common questionsfor this kind of job
Our budget is limited. Is that workable?
Let us talk. Tell me the budget and I will help choose the best-value approach — one field trip cut into several versions, for instance, or using the organisation’s existing footage too.
What care do you take when filming the people we help?
Consent before every shoot, no images that take away dignity, and extra care with children and personal information. A good story is one the people filmed are proud of too.
How is this different from a government project video?
Agency work focuses on covering the project in full; a foundation video focuses on making viewers feel and act — give, volunteer or share — so the storytelling and the ending differ.
How many revision rounds, and how do I get the files?
You review on an unlisted YouTube link with 3–5 rounds of changes as agreed, then the master files arrive by Google Drive. Music and sound are selected with rights that match the agreed channels.
How it worksfrom brief to delivered files
What sets the price, and common questionsAgree the brief
We talk about the audience, where the film will run, dates, locations and a rough budget, then set the scope together.
Get ready
A shooting schedule that's clear where it needs to be, and flexible where the day calls for it — because no two jobs are the same.
Finish it properly
Edit, grade and mix; review rounds as agreed (3–5), then master files on Google Drive.
