Documentary and CSR filmscomplete to the TOR, never stiff

I tell the project story in full while helping viewers understand the people in the field. I shape the structure from the TOR or available material, film on location, and handle the edit through delivery, with quotations and paperwork for the agreed scope.

Children at the electricity authority's CSR event — the picture that makes people feel
Viewers should feel for the real people

Quality work on a budget you understand · crew of 1–3, budget under control · Thailand-wide and abroad · travel is included in the quote, nothing added later

CSR film for the Provincial Electricity Authority

A CSR film for the Provincial Electricity Authority — the client gave only the broad picture; I wove it into a story they were very happy with.

Morefor your kind of brief

How I handle this kind of jobmore than pointing a camera

Agency and community documentaries need to cover the project while helping viewers understand the people on the ground. I shape the story from the TOR or available material, film on location and handle the edit through delivery.

The order things happen

  1. Send the TOR or project topics; I break them into a story

    I read what must be covered, then map each topic to a person, a place and an interview so the document is satisfied without the film becoming a read-out report.

  2. Count locations, provinces and interviewees

    The number of sites sets travel and shooting days. For fiscal-year deadlines I have stayed overnight on location to finish in time.

  3. Name the channel from the start

    Broadcast, the agency page, a conference, or overseas screening with English subtitles — each differs in length, aspect ratio and sound standard, so it is decided before the shoot.

  4. Paperwork and licensing complete

    Quotations and supporting documents follow the agency's format. All music and sound is licensed for every channel, television included.

Stillsshot on the same trip

Start with these 3 thingsI will help shape the approach and a first budget

You do not need every answer yet. Send what you know and we will fill in the rest together.

  1. The project topic or TOR (send the file — I will read it and break it into a story outline)

  2. How many locations and provinces, and how many people to interview

  3. Length and number of clips, where it will be shown (TV, agency page, conference) and the deadline

Send me a short brief

Common questionsfor this kind of job

Can you issue quotations and documents for a government agency?

Yes. Quotations and supporting documents follow whatever format the agency specifies — send a sample of the form you need.

The film has to air on television. Is that possible?

Yes. I produced two films for the Queen Sirikit Department of Sericulture for broadcast, and an English-subtitled piece shown in France. Give me the station's spec and the files will match it.

How many revision rounds, and how do I get the files?

You review on an unlisted YouTube link with 3–5 rounds of changes as agreed, then the master files arrive by Google Drive. Music and sound are selected with rights that match the agreed channels.

How it worksfrom brief to delivered files

What sets the price, and common questions
  1. Agree the brief

    We talk about the audience, where the film will run, dates, locations and a rough budget, then set the scope together.

  2. Get ready

    A shooting schedule that's clear where it needs to be, and flexible where the day calls for it — because no two jobs are the same.

  3. Finish it properly

    Edit, grade and mix; review rounds as agreed (3–5), then master files on Google Drive.

Chat on LINE Message me

Open on YouTube