WorkSchools · educational institutions
School videossmall children can't be directed — you wait for the moment
Small children cannot be directed; parents must give permission; the film is for enrolment; foreign parents need subtitles; it has to follow the real activity timetable over several days — and a school budget is tight. I film without disturbing lessons, waiting for real moments rather than asking children to act. I ask the school to handle parental consent before we shoot, plan around the actual timetable, and can make a set of vertical clips for the school's page on the same days.
Quality work on a budget you understand · crew of 1–3, budget under control · Thailand-wide and abroad · travel is included in the quote, nothing added later

Main piece
Ratchapiyorasa Yupparachanusorn School, Nan
Ratchapiyorasa Yupparachanusorn School in Nan — filming small children takes patience and focus, waiting for the moments that matter.
Morefor your kind of brief
School clip series, vertical and horizontal
Watch this if you need content for the school's page — the vertical clip set
Vertical clip — parents on their child's language development
Watch this if you want real parents' voices — language development since enrolling
Vertical clip — kindergarten Brain Gym before class
Watch this if you want to show the daily routine — kindergarten Brain Gym before class
Vertical clip — the kindergarten's cutest moments
Watch this if you want a short clip people will share — the children being themselves
Wachirawit School — 3-minute cut
Watch this if you are an international or bilingual school — Wachirawit School, Chiang Mai, several days, the 3-minute cut
How I handle this kind of jobmore than pointing a camera
School films differ from everything else: small children cannot be directed, so you wait for real moments, shoot around the existing activity calendar, and get parents' consent first. I film without disrupting lessons, and I understand school budgets are limited.
The order things happen
Tell me the level and the purpose
Kindergarten, primary, secondary or international — and whether it is for admissions, an open house or the school page. The purpose decides what parents must see.
Pick the activities to show, and check the calendar
Sports day, performances, specialist classrooms — filmed on the real calendar, sometimes across several days, which is how you get footage nobody had to stage.
Sort out parental consent before the shoot
I ask the school to handle consent in advance and plan the shoot so children without permission stay out of frame.
Subtitles for foreign parents, and verticals for the page
English or Chinese subtitles to match the parents; I have done a Chiang Mai kindergarten with Chinese subtitles, and a set of vertical and horizontal clips for a school page.
Stillsshot on the same trip
Send me 3 thingsand I can give you a first estimate
Reply on LINE, or call — a few minutes is enough for a price range. No obligation.
Which level (kindergarten / primary / secondary / international) and the main purpose — enrolment / open house / the school page?
Activities you want in the film (sports day, performances, special classrooms) and when they happen
Which parents are you speaking to — do you need English or Chinese subtitles — and when do you need it?
Common questionsfor this kind of job
Small children are hard to film. Will we get usable footage?
Yes, as long as nobody directs the children. I film from a distance that does not intrude and wait for real moments during activities — the school film in Nan is what that patience looks like.
Our school budget is limited
Give me the real number and I size the days and deliverables to it. What raises the price is days and subtitles, not the size of the school.
How many revision rounds, and how do I get the files?
You review on an unlisted YouTube link with 3–5 rounds of changes as agreed, then the master files arrive by Google Drive. Music and sound effects are properly licensed for every channel.
How it worksthe same on every job
What sets the price, and common questionsAgree the brief
We talk about the audience, where the film will run, dates, locations and a rough budget, then set the scope together.
Get ready
A shooting schedule that's clear where it needs to be, and flexible where the day calls for it — because no two jobs are the same.
Finish it properly
Edit, grade and mix; review rounds as agreed (3–5), then master files on Google Drive.









